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About the movie
Year
1998
Runtime
2 h 12 min
Genres
Action, Adventure, Drama, History
Countries
United Kingdom, United States
Director
Writers
Plotline
The cruel King Louis XIV of France has a secret twin brother who he keeps imprisoned. Can the twin be substituted for the real king?
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Main cast
Leonardo DiCaprio
Philippe
Jeremy Irons
Aramis
John Malkovich
Athos
Gérard Depardieu
Porthos
Gabriel Byrne
D'Artagnan
Anne Parillaud
Queen Anne d'Autriche
Judith Godrèche
Christine
Edward Atterton
Lt. Andre
Peter Sarsgaard
Raoul
Hugh Laurie
King's Advisor
David Lowe
King's Advisor
Brigitte Boucher
Madame Rotund
Matthew Jocelyn
Assassin
Karine Belly
Wench
Emmanuel Guttierez
King's Friend
Christian Erickson
Ballroom Guard
External critics' reviews
The A.V. Club Joe Garden
A mish-mash of accents (buffoonish Depardieu's French, somber Irons' British, and DiCaprio and Malkovich carrying the same voices they use for every project) are vaguely unsettling, and there seems to be too little swashbuckling for characters who are synonymous with the term. more
Variety Todd McCarthy
An unusually sober and serious-minded telling of Alexandre Dumas' classic tale, this handsome costumer is routinely made and comes up rather short in boisterous excitement. more
Entertainment Weekly Owen Gleiberman
Wallace, unfortunately, writes lazy, anachronistic dialogue, and the picture is abysmally shot (by Peter Suschitzky), with a prosaic, low-budget look that never allows you to experience the enraptured majesty of a fairy-tale historical setting. more
Chicago Sun-Times Roger Ebert
I could see how, with a rewrite and a better focus, this could have been a film of "Braveheart'' quality instead of basically just a costume swashbuckler. more
ReelViews James Berardinelli
The problem with this movie is that Wallace has attempted to squeeze a 500-page book into a 130-minute motion picture, something that can't be done without major sacrifices. more
The Globe and Mail (Toronto) Rick Groen
The result is the kind of picture you can sit through quite contentedly, the cinematic equivalent of an innocuous seatmate on an airplane trip -- it neither bores nor insults you, and, when the ride's over, is promptly gone and forgotten. more
Los Angeles Times Kenneth Turan
Heavy on swordplay and spectacle, it's so intent on reviving the costume epics of the past it doesn't realize it's trying to be too many things to too many people until it collapses under its own weight. more
The New York Times Elvis Mitchell
Beyond its persistent coarseness, Wallace's story often trades yesterday's inspiration (Dumas) for today's (Simpson-Bruckheimer). more
San Francisco Chronicle Peter Stack
Viewers expecting rip-roaring, chandelier- swinging swordplay adventure are likely to be disappointed by the measured tone and portentous verbal interplay. more
San Francisco Examiner Barbara Shulgasser
Leonardo DiCaprio? Excuse me, Leonardo DiCaprio? I know he makes teenaged girls cry, but, I mean, Leonardo DiCaprio? more
Show more external critic's reviews
See also
Caligola 1979
Details the graphic and shocking, yet undeniably tragic story of Rome's most infamous Caesar, Gaius Germanicus Caligula.
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